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Komma samen, (Clublokaal, Breda NL) 2025

The river calls connection waves (SDRC, Stuttgart DE) 2024

may i tie my shoelace to yours (Keilecollectief, Rotterdam NL) 2023

Komma samen, (Clublokaal, Breda NL)
Who are the people at 138 Kloosterlaan? During 'Komma Samen', we introduced ourselves to you. We did this through our own work, which consisted of banners, paintings, drawings, installations, and various workshops.

Not only did we show work, but everyone was invited to participate in the collective whole. For example, you could contribute books to the communal bookshelf of archival material from the building's rich past. You could make your own banners using Sunflower Soup's letter stamps, and you were invited to leave stories about the building in the Memory Corner.

Clublokaal is a living room, a place for informal gatherings.

Pictures by Hussel Zhu 2025

The river calls connection waves
(SDRC, Stuttgart DE)
For two weeks, we have been guests in Untertürkheim am Neckar. Individuals from Norway, Switzerland, Romania, the Netherlands, and Germany lived together in the STREAM DREAM SUMMER CAMP to work on Neckar territories. In an unknown space we had to discover, organise, and share new routines near and with the river. The core of our journey was to transform vacant space into a working, living, and learning landscape. From nil to one hundred. The river was the starting point to re-read the territories and see what action could come from our different relationships with water.

We experienced the new perspective as a practise: living together, researching, reinterpreting, treasure hunting, bathing, giving impulses, listening, surviving - and pulling out the potential of a ‘blind spot’ directly on the river in taking preparatory responsibility.

pictures by Tabea Schaeffer 2024

may i tie my shoelace to yours (Keilecollectief, Rotterdam NL) In this experiment, participants are placed within a white cube. By creating together in a playful and deliberately clumsy way, they aim to challenge the traditional use of this space. They see the act of making itself as the exhibition and open this process up to the public. In doing so, they explore an alternative to product-making—by removing the final result from the exhibition. In this way, they hope to broaden their field of play. They don’t just let you taste the cherry on top, but invite you to share in the entire cake (messy hands included).
2023